By Andrew Smith, OMAHA, Neb. – The Bemis Center for Contemporary Arts has attracted talent from around the world through its artist-in-residence program since opening 1981. The promise of time, space and community at the center to focus on their work still attracts many.
“I’ll say that we get 1,300 applicants a year for 36 slots, so it’s pretty competitive,” said Rachel Adams, Chief Curator and Director of Programs at the Bemis Center.
Those selected to come to Omaha gain access to spacious production facilities and a studio environment — plus a stipend — for a season of artistic exploration in a different setting.
Space to Experiment and Create
According to Adams, room to experiment in facilities like their Okada Sculpture and Ceramics Facility is a major draw.
“A lot of people when they come to Bemis are like ‘ok, I’m going to work really big now’ because they finally have space to experiment,” Adams said.
Some visiting artists, like Orlando-based Audrey Hope, choose to immerse themselves in the local scene.
“I had some cool experiences in Benson and got to … visit their first Friday events,” Hope said.
She’s been assisted by Patrice Roubidoux, a Bemis intern, Omaha native and graduate of the Hixson–Lied College of Fine and Performing Arts at the University of Nebraska–Lincoln. Roubidoux has helped prep and cast pieces representing sailors’ charms for Hope’s collection focused on symbols of protection.
“I definitely have enjoyed working with Audrey, because it’s very fun to see a creative process that I don’t know about,” Roubidoux said.
Hope didn’t object to having a defacto guide around Omaha.
“That’s been just a really cool way to get to know the town,” Hope said. “Of course, we both connect on food and so can talk about restaurants all day long.”
Showcasing Work at the Open House
Hope’s work was featured Saturday during the Bemis Center’s spring open house, where visitors took guided tours, participated in art activities and learned about residents’ projects.
Laine Knowles, one of the attendees, said she saw origami on display that piqued her interest. The artist shared methodology that inspired her own artistic ambitions, she said.
Knowles also recommended the center’s weekly music performances in its Low End venue, noting that shows are often free — just like admission to the Bemis Center.
Roubidoux and Hope said the artistic community at the Bemis Center has been one of the best parts of their experience that started back in January and runs through late April.
“I’m not just kind of like, sequestered here, you know, working away at it,” Roubidoux said. I get to see people working with saws and wood tools. It’s kind of all-encompassing in a way that is really mind blowing and eye opening for me as a painter.”
